Allegories Of Time And Space: Japanese Identity In Photography And Architecture.pdf
Read online or download a free book: Allegories Of Time And Space: Japanese Identity In Photography And Architecture
Publisher: University of Hawaii Press (30 April 2015)
By: Jonathan M. Reynolds (Author)
Book format: pdf doc docx mobi djvu epub ibooks (*An electronic version of a printed book that can be read on a computer or handheld device designed specifically for this purpose.)
The book commences with an examination of the work of Hamaya Hiroshi. A Tokyo native, Hamaya began to photograph the isolated “:snow country”: ofnortheastern Japan in the midst of the war. His empathetic images of village life expressed an aching nostalgia for the rural past widely shared by urban Japanese. Following a similar strategy in his search for authentic Japan was the photographer T?matsu Sh?mei. Although T?matsu originally traveled to Okinawa Prefecture in 1969 to document the destructive impact of U.S. military bases in the region in his characteristically edgy style, he came to believe that Okinawa was still in some sense more truly Japanese than the Japanese main islands. The self-styled iconoclast artist Okamoto Tar? emphatically rejected the delicacy and refinement conventionally associated with Japanese art in favor of the hyper-modern qualities of the dynamic and brutal aesthetics that he saw expressed on the ceramics of the prehistoric J?mon period. One who quickly recognized the potential in Okamoto’:s embrace of Japan’:s ancient past was the architect Tange Kenz?. As a point of comparison, Reynolds looks at the portrayal of theancient Shint? shrine complex at Ise in a volume produced in collaboration with the photographer Watanabe Yoshio. Reynolds shows how this landmark book contributed significantly to a transformation in the meaning of Ise Shrine by suppressing the shrine’:s status as an ultranationalist symbol and re-presenting the shrine architecture as design consistent with rigorous modernist aesthetics.
In the 1970s and 1980s, there circulated widely through advertising posters of the designer Ishioka Eiko, the ephemeral “:nomadic”: architecture of It? Toyo’:o, TV documentaries, and other media, a fantasy that imagined Tokyo’:s young female office workers as urban nomads. These cosmopolitan dreams may seem untethered from their Japanese cultural context, but Reynolds reveals that there were threads linking the urban nomad with earlier efforts to situate contemporary Japanese cultural identity in time and space.
In its fresh and nuanced re-reading of the multiplicities of Japanese tradition during a tumultuous and transformative period, Allegories of Time and Space offers a compelling argument that the work of these artists enhanced efforts to redefine tradition in contemporary terms and, by doing so, promoted a future that would be both modern and uniquely Japanese.
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